Thursday, March 27, 2014
This weekend we'll be wrapping up the 28th annual group show. It's the most concise collection of works from multiple artists that we've shown in a long time. This in no way denigrates the stellar work we've presented in past Laluzapalooza or Kitschen Sync exhibitions–to the contrary, it showcases the heights that this year's group managed to reach.
Incredibly, some of the best work is still available:
From painterly neo-classics by A.S. Ashley, Chris Leib and Christopher Ulrich to modern pop art masterpieces by José Rodolfo Loaiza Ontiveros and album art remixes by Graham Moore, there are still museum worthy pieces to be had.
We've already decided on a few of the artists we'll be bringing back in August to showcase in the gallery adjacent to our annual Ontiveros show:
Allison "Hueman" Torneros
We'll be adding a name or two soon, and we know that Christopher Bales and Michelle Bickford will be featuring again in the next year, too. This weekend will be the last opportunity to see all these works in context with each other, so make a point to come and see the show. CBS recently highlighted La Luz de Jesus Gallery in a report on the best places to buy affordable art, and so a relatively quiet middle-of-the-month gave way to a burst of sales this week–as smart patrons become aware of how much quality work is still ripe for inexpensive plucking.
One of my favorite discoveries in this jurying process was Rose Freymuth-Frazier, who studied with Odd Nerdrum. While I had been previously unaware of her, she routinely sells-out in her native New York. The online jpeg really doesn't do justice to Rose's brushwork, which conveys her high pedigree and training. I've been predicting that the unironic unicorn is due for a comeback, and this painting could easily be the herald.